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Rhino continues their High Fidelity Premium Vinyl Series with a pair of classic new reissues of albums that were both released within the same year, 1974. Including Yes' seventh studio album and their first in the aftermath of Rick Wakeman's departure, Relayer (Atlantic Records), along with Bad Company's hard-rocking eponymous debut, Bad Company (Swan Song... Read More »

Craft Recordings' continues to crank out new releases in the second group of reissue titles for 2024 in their Original Jazz Classics (OJC) franchise reboot. This time, featuring their latest, The John Wright Trio's 1960 neglected classic, South Side Soul on Prestige Records. When I originally saw the list of the four albums being made... Read More »

Harold Tichenor is a Real-to-Reel (RTR) tape archivist with over 40 years of experience as a professional. His prior article for Positive Feedback was an important summary of RTR provenance and tape generations, which I highly recommend to our readers. In this article, Harold outlines the history and elementals of RTR tape reproduction. It is... Read More »

This is an ongoing project by Claude Lemaire of Soundevaluations 236. Charlie Mingus, Blues & Roots. Atlantic – SD 1305 (1960), 33 1/3 rpm, Analogue Productions – APA 001-45 (2023), Atlantic 75 Audiophile Series, (2x45 rpm). Genre: experimental big band, avant garde jazz, blues, hardbop, swing. Here is a great album featuring six tracks including the well... Read More » . . . Read More »

Rhino Entertainment has just launched their Sounds of the Summer LP series, which features a slate of 24 limited edition LP releases, with most of them being offered in deep sea blue colored-vinyl versions. The multitude of releases traverses a broad range of genres and artists, and includes catalog album reissues, greatest hits packages, and... Read More »

I've spent decades searching my butt off for interesting and well-recorded albums, all while some albums, including some really good ones, were just sitting in my path. Just Turn Me Loose (Epic BN 26037) by actor-singer George Maharis (1928-2023) is a prime example of an album that was just sitting and waiting for me to... Read More »

Greetings friends, and welcome to Chapter 15 of the Acoustic Revive Chronicles! You can see a list of the previous chapters of the Acoustic Revive Chronicles in the archives HERE. In Chapter 15 of the Acoustic Revive Chronicles I'll be telling you about the new RTS-30 turntable mat, RHS-1 headshell, RHR-21 Helmholtz resonator, and the... Read More »

Following my first three episodes from this year's event, these wrap-up event episodes bring you my final three sets of coverage, each addressing three remarkable rooms. Can you say World Premieres? In this episode, I explore the world premiere of the Kronos Discover Phono stage, the Göble Divin Comtesse loudspeakers, and Alon Wolf's Magico S5... Read More »

Rhino Entertainment has just released the Super Deluxe Edition of progressive rock titans Yes' fourth studio album, 1971's Fragile. Now available in an expansive multi-disc box set, Fragile: Super Deluxe Edition (SDE) offers media choices that will satisfy all listeners. The unusual package design features an LP-sized gatefold jacket that matches the band's recent SDE... Read More »

Dire Straits Live 1978-1992 Let me get right to the point! The sound quality of each and every reissue in this box set is absolutely magnificent! There are many reasons, but three are extremely important. All of the vinyl was mastered by Andy Walter at Abbey Road and cut by Bernie Grundman at Bernie Grundman... Read More »

Ye Olde Editor delivering the goods, Corvallis, Oregon, 1972. (Photograph by John Hull.) Yes, I've always been this way. Munich has come and gone...so has my serious bout with pneumonia...and I'd like to get my AXPONA 2024 Audio Oasis! Awards published before any more time goes by. (These are two big shows that are too... Read More »

Reprinted with permission from Copper magazine. Michael Fremer needs little introduction to Copperreaders. He's been a stalwart of the high-end audio industry for decades, and is currently the editor of The Tracking Angleand editor at large at The Absolute Sound. He has been a champion of vinyl since long before the days in the early 1980s when the "Perfect... Read More »

Roger Skoff writes about audiophilia No matter how busy we are with home, family, making or spending money, or any of our other more mundane concerns, all of us have time and resources that are not demanded for something else, and things that we do or enjoy for no reason other than simply that we... Read More »

This article by Steve Lefkowicz originally ran in Positive Feedback's ISSUE 60 March/April 2012, so while we call this section "New Old Stock - Articles from Our Days in Print" you are also going to see some articles from our early days of going online.  This might be a little longer than normal introduction. Those... Read More »

Gershwin, Rhapsody in Blue*; An American in Paris; Cuban Overture. Ivan Davis, piano*; Cleveland Orchestra/Lorin Maazel.  Copland, Appalachian Spring; Fanfare for the Common Man. Los Angeles Philharmonic/Zubin Mehta. London Jubilee  417 716-2.  TT: 71.17 For me, as a professional musician and a professional listener, life doesn't always allow much time for repeat listening. But I find it instructive... Read More »

With some of the best sonics you will ever experience, I'd like to introduce you to six recently released Pure DSD256 recordings from Eudora Records, Hunnia Records, and Yarlung Records. All of these albums are originally recorded directly to DSD256 and not to analog tape and then transferred to DSD. If you value the ultimate... Read More »

Rhino Entertainment continues the superb Joni Mitchell Archives Series with their latest installment, The Asylum Albums (1976-1980), which presents newly remastered versions of Joni Mitchell's final four albums for David Geffen's Asylum Records. Including the studio recordings Hejira (1976), the double album Don Juan's Reckless Daughter (1977), and Mingus (1979), along with Joni's double live... Read More »

Ron Resnick shows off his pride and joy, The Clarisys Studio Plus Speakers. As I was snaking my car up the ribbon of road leading high up in the Beverly Hills, I thought about my history with ribbon speakers. I had been invited by Ron Resnick to experience the listening room which comprises his new... Read More »

To quote an old colloquialism, "I haven't been to an audio show in a minute." I have stayed away from them for various reasons the main one being Covid-19. But time marches on, and the lure of high-end audio is well… very alluring. I finally stuck my toe back in the water for the THE... Read More »

Or, why recordings don't always sound the same. We listen to music in various conditions, sometimes loud, sometimes quietly. However, in order to hear what is really there, we have to take into account, how it was mixed and mastered. I don't know if you pay attention to the fact that a given album sounds... Read More »

This interview originally ran in 2916, but deserves another read. Note: Robert Schryer left PF to write for Stereophile. DeVore Fidelity: Why Getting the Best Sound is all About Balance, or: "C'mon, John. Just once for the camera—Cheeeeese!"   "I began obsessing about hi-fi more than 40 years ago. I also love station-wagons with manual... Read More »