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Roger Skoff writes about cost and value in high-end audio Roger Skoff, a portrait. LAOC Audio Society Gala, 2018 (photograph and image processing by David W. Robinson) Note to our readers:  Roger Skoff has been writing essays about high-end audio for years at Positive Feedback. Roger was formerly the founder and CEO of XLO Cables,... Read More »

We are living in strange and terrible times. It is the Golden Age of Audio right now, but that Golden Age has been swallowed up by the COVID-19 pandemic so suddenly that it is hard to remember just a few months ago, when 2020 looked like it would be a very good year for fine... Read More »

For the uncompromising audiophile on the go:  The Ampex Rollman

Life is hard and filled with sorrow. And sometimes you don't see it coming. Two real woes for high-end audio are at hand. What their outcomes may be, or how they may affect audiophiles worldwide, are yet to be seen. Woe Number One I received a phone call and an email recently from a colleague... Read More »

Chip and Roger at the LAOC Audio Society Gala Banquet, December, 2019 (photograph and image processing by David W. Robinson) Roger Skoff finally proves that cables work and tells at least part of the reason why. For at least the last thirty years (that I know of), audiophiles have been divided into four—if not necessarily... Read More »

This post excerpt comes in part from an email response to my friend Harold in the Netherlands. He was curious about our discussion related to my early MP3 work as an online musician through the '90s into 2000s, and how and why my MP3s could have sounded so good back then to literally everyone who... Read More »

Roger Skoff tells how to increase your enjoyment and get better sound out of your system. Chip Moore and Roger Skoff at the LAOC Audio Society Gala, 2019 (photograph and image processing by David W. Robinson) Do you know the difference between hearing and listening? Both involve the same sounds, from the same sources; both... Read More »

Roger Skoff writes about getting the most from our audio hobby. Many years ago, Stereophile, to get a better handle on its marketing, had a study done to find out who and how many its readers were. One of the (then-surprising) things that study turned-up was the fact that almost all (well more than 90%)... Read More »

This guest article is by Thom Mackris, head honcho at Galibier Design. PF Senior Associate Editor Lynn Olson shared it with me right after Thom published his comments on a very recent three-hour listening session that he had with Lynn. They were doing some listening comparisons with exaSound DACs; the comments below summarize Thom's take on... Read More »

Why is that with all the music we have access to, we still play the same 50 albums? I grew up in a time of Hi-Fi that I thought was the golden age. It wasn't centered on the gear… it was all we had, but was centered on the music. I suppose we all have... Read More »

This article originally ran in Issue 41 of Positive Feedback, January/February 2009. This was the precursor to my last article, HERE.     So …what do you want to be when you grow up? When I was in the first grade my class took a field trip to the fire station. At the time I thought... Read More »

Lynn Olson and Thom Mackris, RMAF 2015 Let's start with a skeptical view from Steve Guttenberg, who's been around the block more than once: https://www.youtube.com/watch?v=BIKkBgpo75I Steve's got a point. Surround music has failed in the marketplace not once, but twice. The first was a ten-year window in the Seventies, with the LP-based QS, SQ, and... Read More »

Original version published Feb 20, 2015. Revised after stumbling onto Positive Feedback's Carol Clark's recent post, My Journey into Audio Pandora, Carol Clark (image by David Clark, Positive Feedback) It looked like Carol recently had a similar experience as I did in 2015 that "left [her] stewing." We have been friends with Dave and Carol... Read More »

Roger Skoff writes about everybody'd favorite controversial product While the debate continues on the internet over whether different cables sound different, those of us with the ears and listening skills to hear it and the systems and listening environments of sufficient resolution to show it know that it's not just different cables that sound different,... Read More »

I heard an interesting theory last year at the California Audio Show. Basically, I was informed that women aren't audiophiles because they're not wired that way. It seems boys spend time with their fathers working on cars, taking things apart and putting them back together, and are thus programmed to be gear heads. Girls, on... Read More »

Time for cables Cables are one of the elements that constitute an audio system. It is neither more, nor less important than the remaining ones, but it is still approached with suspicion and from a distance by many engineers and music lovers. However, those who have already gone through this stage—St. Thomas's stage—do not need... Read More »

How many times have you read a review of some recording, some system, or some individual piece of gear that said something like this? "The orchestra was rendered perfectly, with each individual instrument hung in its own separate space, emerging from a perfectly black background…" Or maybe the reviewer had enthused that "It was easy... Read More »

In spite of the improvements in efficient Class D switchers, watt-sucking Class A power amplifiers continue to attract high-end audiophiles. The breed remains as popular as ever—and why not? Any product of our school system knows that A is better than B, or C or D... I get quite a bit of email, and it... Read More »

Herb Reichert (left) and Lynn Olson at RMAF 2015:  a moment (photograph and image processing by David W. Robinson) Although some of you may know me as the sometime Tech Editor of PF (and that only occasionally, when the mood strikes me), and the designer of the Ariel loudspeaker and Amity and Karna 300B triode... Read More »