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Bob Witrak continues to mine the archives for classic recordings to reissue – often in sound that is better than I ever imagined these recordings could deliver. Here are some recent releases that bring back warm memories but, more importantly, are wonderful additions to my digital music library today. Enjoy.   Beethoven Piano Concerto No.5... Read More »

Our inimitable editor-in-chief, Dr. David, charged me with focusing on DSD256 and DXD recordings. I mostly follow that brief. And today, I have an abundance of outstanding ultra-high resolution recordings to share: six Pure DSD256 recordings and two DXD 32-bit recordings. Their sound quality gratifies my search over decades for the most discerning playback systems... Read More »

If you enjoy pop vocal records from the sixties, you might be familiar with the name Ernie Freeman (1922-1981). Freeman wrote the arrangements for Frank Sinatra’s 1966 album That’s Life (Reprise FS-1020) and Dean Martin's 1963 album Everybody Loves Somebody (Reprise RS-6130). He was also the pianist on the 1962 album Roots (Reprise R9-6057) by... Read More »

Bert van der Wolf's lifelong dream of creating a dedicated recording venue with superb natural acoustics and attached mastering studio finally became a reality with the purchase and restoration of a nineteenth-century church in Heerewaarden. Following extensive acoustic renovations, the first recordings took place in late 2025. I've followed this remarkable project since Bert first... Read More »

The following is a repost of an article by the exceptionally talented recording and mastering engineer Frans de Rond, originally published on the blog of his Sound Liaison recording label. You can find the original article HERE. Frans recently included this article in his newsletter. As I read it, I found myself nodding, smiling, and... Read More »

My first Chris Isaak concert was with my wife and several friends at the North Shore Center in Skokie Illinois, a suburb of Chicago. It was a December 2011 concert and Isaak played a few Christmas songs along with many of his fan favorites.  He came out in a Santa Claus outfit and quickly had... Read More »

For those readers new to this column, please read the introductory comments in Part one here. There’s an old stereotype out there that audiophiles don’t really like music, but rather just like playing with equipment. There’s even a “quote” that constantly surfaces, wrongly attributed to Alan Parsons (who never actually said it) that ‘Audiophiles don’t... Read More »

I’d already chosen my next review subject: a rock band from Chicago who thrived from the mid-sixties to the early seventies, but I got distracted by two new additions to my collection. So what could possibly distract me from great rock ‘n’ roll? Here’s the answer: Two Eddy Arnold (1918-2008) EPs from the early fifties!... Read More »

We all say, "There is no substitute for live music." This past spring, Ann and I treated ourselves to a generous helping of live orchestral music from one of our regional orchestras a few hours away. And yet, and yet... While the sound of live instruments cannot be fully replicated by even the finest audio... Read More »

Our friend Ferenc Koscsó has been breaking down barriers yet again. Audiophile, recording engineer, and founder of My Reel Club in Budapest, Ferenc has always probed deeply to understand, and help others understand, what is actually happening with our digital audio systems. Two years ago, Ferenc graciously permitted Positive Feedback to repost his probing article... Read More »

Recently, while driving and tolerating my Las Vegas’ moldy oldies FM station KQLL, I heard an old favorite that I don’t hear too often. It was Rare Earth’s “Get Ready,” a song that I swear was custom-made for me. The deliciously grungy tone of the electric guitar is dangerously addicting, and what follows the guitar... Read More »

For those readers new to this column, please read the introductory comments in Part one here. I’ve known a lot of audiophiles and music lovers who are firmly into either analog or digital, and don’t fully embrace both. Obviously with this series, I’m putting myself in the “I love records” camp. That doesn’t mean I... Read More »

"Jimi was like aliens had landed. No kidding," said Toto guitarist, Steve Lukather, who recorded with a who's who of artists like  Michael Jackson, Eric Clapton, and Eddie Van Halen. "I remember sitting in my bedroom listening to his Are You Experienced? album's 'Third Stone From The Sun.' My father walks in and sees the... Read More »

Uncle Tupelo, Anodyne. Rhino High Fidelity (33 RPM LP) Anodyne was Uncle Tupelo's swansong album and was released in 1993 on the Reprise label. Originally only released on CD, it was not offered on vinyl until 2010 on the Rhino label. The two key musicians and songwriters for Uncle Tupelo were Jeff Tweedy and Jay... Read More »

For those readers new to this column, please read the introductory comments in Part one HERE. Since such a large part of my record collection was purchased used, I figured we should talk about buying used records a little more. Obviously different people have different ideas about what they're looking for when shopping used, but... Read More »

I was twelve when Carly Simon released her third album "No Secrets." Even at that age, I was not into commercial pop music much, so I never owned this album until now.  However, I did not change the channel when Carly Simon came on. She had unmistakable talent; voice and composition. Simon achieved international fame... Read More »

Ólafur Arnalds, Sunrise Session III. Olafur Arnalds, composer and pianist; Sandrayati, RAKEL, Salóme Katrín, vocals; with string quartet. Universal Music (EP, digital only). TT: 12.58. Echoes. Þú ert sólin. Ashes. A Dawning. This is not my usual line of territory: I'm very much a classical guy. But the majors—Universal and Sony/BMG, at least—have been promoting... Read More »

Recently, while doing some research, I discovered the existence of an album that in all my decades of obsessive record collecting I had never seen nor heard of. The album is called Red And Ernie (Decca DL 8298). Not to be confused with Burt and Ernie, Red and Ernie were music legends Red Foley (1910-1968)... Read More »

James Oscar Smith was an American jazz icon who helped popularize the Hammond B-3 organ, forging a link between jazz and 1960s Soul—or the "urbanization and commercialization of rhythm and blues in the 60s," (www.allmusic.com), and the Acoustic Sounds Series reissues from Verve/Universal Music Enterprises delivers his artistry with exceptional fidelity in their 180 gram... Read More »