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What price, perfection? Put another way, at what point do diminishing returns themselves diminish?  In my view, when an audio system is sufficiently resolving, seemingly minor performance improvements associated with a change in system, source material, or acoustic environment can be profound. I’ve employed Audience’s aR2p family of adeptResponse power conditioners in my system for... Read More »

Our inimitable editor-in-chief, Dr. David, charged me with focusing on DSD256 and DXD recordings. I mostly follow that brief. And today, I have an abundance of outstanding ultra-high resolution recordings to share: six Pure DSD256 recordings and two DXD 32-bit recordings. Their sound quality gratifies my search over decades for the most discerning playback systems... Read More »

If you enjoy pop vocal records from the sixties, you might be familiar with the name Ernie Freeman (1922-1981). Freeman wrote the arrangements for Frank Sinatra’s 1966 album That’s Life (Reprise FS-1020) and Dean Martin's 1963 album Everybody Loves Somebody (Reprise RS-6130). He was also the pianist on the 1962 album Roots (Reprise R9-6057) by... Read More »

My house was built in 1970, and the AC power was pretty ratty. Flickering lights I can handle; visible arcing, not so much. As a plucky new homeowner, I first tried to tackle it myself by replacing some obviously questionable Cutler Hammer breakers and sanding away corrosion – after taping a copy of my will... Read More »

One aspect of my late teen years that I will always cherish, was the time I had the privilege of playing keyboards for a rock band. Not only did it cure me of stage fright, but it also gave me the thrill of seeing the sheer joy on people’s faces when we play them their... Read More »

Initially designed for the record producer and those in the mastering specialty, the MM520 has been upgraded flawlessly to truly include the audiophile. Smaller and more compact than its big brother, the 5S, it is also more efficient and incredibly linear. Having spent quite a few hours with the MM520, I am yet to identify a significant flaw in any sonic parameter.... Read More »

A New Solution to Understanding What Your Digital Audio System Is Doing With the Data Stream - Part 3 A few weeks ago we reposted Ferenc Koscsó's article introducing a minimalist, bit-perfect music player, written in C, with a single purpose: to deliver the music file data stream to the DAC by the shortest, most... Read More »

At the 2023 Munich Highend show, the True Life Audio and the Lorenzo Audio Labs teamed up together to produce a fabulous sounding room. I later reviewed the Lorenzo Audio Labs LM1 loudspeakers and liked them so much that they became to be my new reference loudspeakers. Fast forward two years, I was presented with... Read More »

Very brief stuff, here. A new word for my audiophile lexicon. X/Z/Alpha bemuseick. Selah. Dr. David

Bert van der Wolf's lifelong dream of creating a dedicated recording venue with superb natural acoustics and attached mastering studio finally became a reality with the purchase and restoration of a nineteenth-century church in Heerewaarden. Following extensive acoustic renovations, the first recordings took place in late 2025. I've followed this remarkable project since Bert first... Read More »

Roger Skoff writes about the impossible dream Back in the 1950s and early ’60s, when I and our hobby were both very young, the whole subject of hi-fi seemed much simpler. Julian Hirsch – the most highly regarded audio reviewer of his time, with, eventually, more than 4000 tests to his credit – specifically stated... Read More »

The following is a repost of an article by the exceptionally talented recording and mastering engineer Frans de Rond, originally published on the blog of his Sound Liaison recording label. You can find the original article HERE. Frans recently included this article in his newsletter. As I read it, I found myself nodding, smiling, and... Read More »

Well organized and rather compact compared to sprawling shows in other cities, I really enjoyed auditioning the systems and meeting my friends in the industry. The Los Angeles and Orange County Audio Society was present in the Society room and nibbled on the treats provided by the hotel. I visited there for a while then struck out to hear... Read More »

I’ve written a lot of show reports, to the point where I was starting to repeat myself in some of the advice I was giving. So, I thought I’d write a separate article where I summarize my tips on attending audio shows. Part One: General Tips Rule number one: wear comfortable shoes! If you don’t,... Read More »

My first Chris Isaak concert was with my wife and several friends at the North Shore Center in Skokie Illinois, a suburb of Chicago. It was a December 2011 concert and Isaak played a few Christmas songs along with many of his fan favorites.  He came out in a Santa Claus outfit and quickly had... Read More »

I first met Jeff Wells over 15 years ago when he was the national sales manager for Spectron. He in turn introduced me to Class D amplification via the superb Musician III Mk. 2 amplifiers that Spectron produced at the time. Over the years I’ve come to appreciate Jeff’s no-nonsense approach to high end audio;... Read More »

For those readers new to this column, please read the introductory comments in Part one here. There’s an old stereotype out there that audiophiles don’t really like music, but rather just like playing with equipment. There’s even a “quote” that constantly surfaces, wrongly attributed to Alan Parsons (who never actually said it) that ‘Audiophiles don’t... Read More »

Most  This article is part of an ongoing series examining electromagnetic field theory and its application to high-fidelity audio reproduction. The engineering framework described here has been developed, tested, and refined over thirty-four years of product development at Synergistic Research – and has been the subject of extensive public discussion on my personal Facebook page,... Read More »

I’d already chosen my next review subject: a rock band from Chicago who thrived from the mid-sixties to the early seventies, but I got distracted by two new additions to my collection. So what could possibly distract me from great rock ‘n’ roll? Here’s the answer: Two Eddy Arnold (1918-2008) EPs from the early fifties!... Read More »