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Suk's Asrael Symphony

09-13-2015 | By Stephen Francis Vasta

The digital era's exploration of the repertoire's byways led to a new interest in the music of Josef Suk—not only the son-in-law of Antonín Dvořák, but once a noted composer in his own right. The Asrael Symphony stands as a major score in his output; yet, despite intermittent attempts to promote it, it never seems... Read More »


Premier LP Review of Reference Recordings: Copland Fanfare and Third Symphony

09-03-2015 | By Robert H. Levi

Pressed by QRP on 200 gram vinyl, 33.3, half-speed mastered, this recording from 2000 is receiving its LP release for the first time. The original release was on HDCD CD and has been a reference disk for my reviews since it was available. It features Eiji Oue conducting the Minnesota Symphony Orchestra. The Producer was... Read More »


Notes of an Amateur - Nelsons’ Shostakovich 10 with the B.S.O.; Bach’s Cello Suites by Higham and Kuijken; Stacey Garrop’s String Quartet No. 4.

08-28-2015 | By Bob Neill

Shostakovich, 'Under Stalin's Shadow.' Symphony No. 10. Andris Nelsons. Boston Symphony Orchestra. Deutsche Gramophone DG 479-5059. I bought this album out of loyalty to my 'local' orchestra under their new leader. Nothing was at stake as I had already married Petrenko's terrific Shostakovich cycle on Naxos, but I'll admit to some hopes. And then the... Read More »


Notes of an Amateur: Bach, Vasks, and more Bach.

08-08-2015 | By Bob Neill

Helen Callus [viola]. Luc Beauséour [harpsichord] Bach - Krebs - Abel. Analekta. AN2 9879. There are reasons not to buy this album of Bach (and Krebs and Abel) cello sonatas. If you don't like your Bach played direct and frontal—and on a viola, which cuts the music less slack than a viola de gamba or... Read More »


John Fedchock Big Band: Like It Is (Mama Records)

08-06-2015 | By Jim Merod

This kick-ass New York jazz orchestra's fifth album, scheduled for release on Friday, August 7, is leader John Fedchock's eighth publication. Already a powerhouse big band leader and arranger, trombonist Fedchock gained chops and jazz sea-legs working for legendary jazz orchestra guru, Woody Herman. He was Herman's musical director—a ferociously exacting task which earned him praise from the no-BS... Read More »


TANGERINE DREAM Platinum SHM-CD EDITION

08-03-2015 | By Wojciech Pacuła

The Tangerine Dream is considered either a co-creator of krautrock, or of electronic music in general, and new age in particular. In fact both ascertainments are true. The first four records released between 1970 and1973, during so called "pink period" (these were released by Ohr label that had a pink logo), were recorded with drummer... Read More »


Dimensions of Sound: Ilya Itin Performs Scriabin and Rachmaninov

07-23-2015 | By Dan Zimmerman

I was a bit breathless. My friend and spiritual colleague David Robinson had invited me to sketch and cover a uniquely intriguing event at Princeton University’s Richardson Auditorium on Sunday, July 12, 2015. To kick off the Golandsky Institute’s summer series, noted pianist Ilya Itin was slated to perform the music of Scriabin and Rachmaninov.... Read More »


Music of Mozart, Grieg, Schubert, Brahms, Stravinsky, and More.

07-21-2015 | By Karl Lozier

Grieg. Peer Gynt Suites. Six Orchestral Songs. Orchestra: Malmo Symphony. Conductor: Bjarte Engeset. Recording: Naxos CD8-570236 These Peer Gynt suites are the heart and soul of Grieg's incidental music to Henrik Ibsen's play of the same name. This beautiful and very impressively melodic music is one of my personal favorites of all time. The immense... Read More »


Celebrating the Joyous Music of the Great Ruben Estrada

07-20-2015 | By Jim Merod

For more than two decades I've been a fan of vibraphonist/pianist/band leader Ruben Estrada, whose lyrical delicacy and musical intensity define, and extend,the profound artistic heritage he absorbed on his way to Number One world class Latin jazz vibe and timbales guru. Estrada is an enormously modest man. His pride in his playing and his... Read More »


In Search of a Perfect Song, Part 2

07-17-2015 | By Carol Clark

In Search of a Perfect Song… I recently republished that old article because I've had further opportunity to explore the concept. I began that article with a lesson about the difference between opinion and fact. Again I will remind you that this is my opinion of what makes a song perfect. Naturally, if you have... Read More »


In Search of a Perfect Song

07-09-2015 | By Carol Clark

This article was originally published in Issue 26 of Positive Feedback. I decided to republish it because I've gotten the bug to write another article with some more perfect songs. Back when I wrote this article it seemed like I was a topic for discussion on message boards. I was everyone's favorite target because I... Read More »


Impressions: HDTT’s Brilliant Quad DSD release of Cootie Williams in Stereo

07-09-2015 | By David W. Robinson

If you love DSD downloads as much as I do, but haven't yet heard of High Definition Tape Transfers, then brother, let me do you a big favor. Some of the best DSD downloads now available in classical music and jazz are coming from Bob Witrak and his operation over at HDTT. Possessed of a... Read More »


Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit

07-01-2015 | By John Acton

Singer-songwriter Courtney Barnett cites a poster hanging in her Grandmother's bathroom when she was a child as inspiration for the title of her first full-length album, Sometimes I Sit and Think, and Sometimes I Just Sit (Mom+Pop Records MP221-2). Distilling the mundane into lyrical profundity extends beyond just the titular for Barnett, whose songs on... Read More »


Two Really Strong Reference Quality CDs for Audiophiles

06-29-2015 | By Robert H. Levi

Sagebrush Rebellion Papillon Recordings  BluePort Jazz, BPJ-024 Producer: Dmitri Matheny Recording Engineer: Jim Merod Mastered by: Jim Merod and Steve McCormack Recorded Live at Dizzy's in San Diego, CA, 11/29/13  [Image courtesy of Dmitri Matheny and BluPort Jazz] Dedicated to the artistry of Art Farmer, four stellar jazz musicians (Dmitri Matheny on flugelhorn, Nick Manson playing piano,... Read More »


Notes of an Amateur: Bartok and Erickson.

06-29-2015 | By Bob Neill

Bartok. Sonatas for Violin Nos. 1 and 2; Sonata for Solo Violin. Barnabás Kelemen, violin; Zoltán Kocsis, piano. Hungaroton HSACD 32515. SACD. How do you like your Bartok? Do you like Bartok? It took me several years to persuade a good fellow graduate student (who knew a lot about music) to believe me when I... Read More »


The Reel Deal - A Pair from The Tape Project's Third Series of Releases

06-25-2015 | By Myles B. Astor

Dan Schmalle, Paul Stubblebine and Mike Romanowski, aka The Tape Project's tres amigos, are more than anyone else responsible for putting the reels back in motion. When my first Tape Project piece appeared in the virtual pages of PF some six years ago now (Issue 46), these folks were the only game in town; today... Read More »


Niemen, NIEMEN, or the Red album, or Człowiek jam niewdzięczny

06-10-2015 | By Wojciech Pacuła

Style of the work of Czesław Niemen is very heterogenic. It covers big-beat, progressive work, rock with jazz elements, blues-rock, avant-garde, and electronic music—you will find all these elements in his works. The period from 1967, the year of his debut album Dziwny jest ten świat… till 2001 was the most interesting period in popular... Read More »


Symphonies of Wind Instruments (a Subtle and Brief Summary of What is Happening With Modern Classical Music)

06-02-2015 | By Karl Lozier

The four composers represented in this overview and the accompanying album, all wrote music in a variety of styles and for many different types of ensembles. This broad spectrum of styles is a consequence of the four composers choosing to work within and to develop traditional formats and techniques, while at the same time mastering... Read More »


Notes of an Amateur: Jennifer Koh's Bach, Ibragimova's Ysaÿe, and Scelsi.

06-02-2015 | By Bob Neill

Jennifer Koh, Bach and Beyond 2. Solo Violin Sonatas by Bach, Bartok, and Saariaho. Jennifer Koh, violin. Çedille 90000-154. Nobody plays Bach better than Jennifer Koh. As I've written before, I heard her play the Partita No. 2 live in Amherst College's Buckley Recital Hall several years ago and at the time it felt as... Read More »


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