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[UPDATED VERSION with new purchase links for NativeDSD.com included at the end of the review.] For quite a while now I've been sitting on an advance copy of an important Quad DSD recording, waiting for it to be released commercially. Now, I'm glad to say, the time has come…at last! The album is music by... Read More »

MAHLER: Symphony No. 9 Chicago Symphony Orchestra/Pierre Boulez Deutsche Grammophon 289 457 581-2 TT: 79.46 The death of Pierre Boulez earlier this year provides as good an opportunity as any other to consider his recorded legacy, as well as giving me an excuse to check out this 1995 Mahler Ninth, which I'd somehow managed to... Read More »

J.S. Bach, The Art of Fugue. Rachel Podger, Brecon Baroque. Channel Classics CCS SA38316. There was a time, which for some may still be the time, when J.S. Bach's 24 Preludes and Fugues for solo keyboard (Well Tempered Clavier), six Sonatas and Partitas for Solo Violin, six Cello Suites, and The Art of Fugue were... Read More »

Well, right on, John Marks! Here's a real classic from the trove of audio loot. This week's album from The Tannhauser Gate (http://www.thetannhausergate.com) brings back a pile of memories from my junior year in high school, which was a time of ferment and fervor in my life, there with friends and life in the East Bay sprawl-town of... Read More »

If one has to use the word "legendary" to describe a musician or band,  then when applied to the King Crimson it would be relatively painless from where I stand. Founded in London in January 1969 still the same year, in October they released the album that, let's not start to be modest now, forever... Read More »

[The Boston Symphony Orchestra has been entangled with Tanglewood for decades. This outdoor setting of historical (for America) lineage has seen more than its share of great orchestral works over the years, thus affirming the blessing of the original benefaction given by the Tappan family back in 1936. John Marks, editor and writer at The Tannhauser... Read More »

If you talk about music long enough, you tend to forget where you are coming from. I tend to talk about the succession of musical styles (baroque, late romanticism, modernism) while some others write about differences in formal technique, because for my amateur mind, the succession of styles is the history of music. And for... Read More »

This time around, John Marks introduces us to a recording by the Boston Symphony Orchestra, under the direction of Andris Nelsons. He points to the dicey realm of talented musical parents and the unknown musical outcomes of their children. Like the proverbial "pastor's kids," perhaps they will be inspired by parents...and perhaps not. An artist... Read More »

Late '60s let's-make-lots-of-money British mainstream studio action flick here (The Italian Job), generally well regarded for the acting and the action. John Marks of The Tannhauser Gate (http://www.thetannhausergate.com) discards the husk of the film and enjoys the fruit of the opening credits theme song by Matt Monro. As always, his choices and commentary are a... Read More »

In this week's "Vault Treasures," our trusty musical guide John Marks shares with us a jazzic voice that I was not familiar with:  Blossom Margrete Dearie, AKA "Blossom Dearie." Last week's brief essay covered Julie London, a person of real renown; but this week's "Blossom Dearie" is likely to provoke a "Say what?!" even from... Read More »

John Marks is a lover of fine music videos. In our generation, a major new blessing has been the marriage of high-quality audio with high-quality video to provide us with both the sights and sounds of major performers presenting us with their artistry. It started with videotape and NTSC resolution, but progressed to DVD, and... Read More »

When the heads of Warner's headquarters learned of the sale of Polish Recordings, then—as Bartek Chaciński writes in the article Marka dużej wagi—they asked only whether it is a company that has Krzysztof Komeda's Astigmatic in their portfolio. This album is still among the best jazz recordings—not only in Poland but all over the world.... Read More »

The Avalanches, Wildflower Astralwerks 2547900289 $19.99 for the two LP set "Is that serious music?" I remember my first wife asking me that question back in 1989 when I brought home Pixies' Doolittle and gave it an inaugural spin. I'd gotten all the way to the eighth song on the album, "Mr. Grieves," to the part where... Read More »

In this week's cross-published installment of "Vault Treasures" from his site, The Tannhauser Gate (http://www.thetannhausergate.com), John Marks shifts his attention to one of the lesser-known (today) singers of the 1950s, Julie London. Her story is a Hollywood-classic "I was discovered while doing something pretty mundane, and then I became a star." But her natural singing ability, unschooled... Read More »

It's refreshing not to have to cringe at a "new" singer's technical flaws, as I find myself doing more and more. Klaus Florian Vogt, in a program is mostly drawn from the Heldentenor (heroic tenor) repertoire, offers a clear, compact tone, a reliable legato, and some interpretive smarts. Vogt's actual instrument sounds, as recorded, more... Read More »

This week, John Marks touches on one of the truly great popular singers of the 20th Century, Frank Sinatra. Where Are You? comes to us from the later 1950s, and shows Sinatra maturing in his mastery. It also shows us just how great the recording arts had already progressed by this time. With his "Vault Treasures"... Read More »

For this week's "New Music" selection, John Marks shares with us Sergey Schepkin's Bach:  The Six Partitas. I agree completely with John when he writes "Familiarity with at least some of Bach's masterworks is a matter of core Cultural Literacy..." Amen! Think of it as a matter of "cultural critical mass"...the truly worthy things that you... Read More »

"Carmine said one boy, here are two!" – Larry London, The Freshman I'm not sure why I started hearing the late Maximillian Schell's heavily accented voice in my head the first time I listened to Jane Ira Bloom's new CD, Early Americans. I suspect it had something to do with reviewing Todd Hunter's Eat, Drink,... Read More »

For John Marks' initial cross-publication to Positive Feedback of his Tuesday offerings on great recordings from The Tannhauser Gate (http://www.thetannhausergate.com), we offer the first of his columns:  Clifford Brown with Strings. As usual, John enriches our lives with recorded gems that we should all be aware of...and this time is no exception. Read on! Dr. David W. Robinson... Read More »