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This article, as reviewed by Victor Chavira, Dave Clark, and Larry Cox, originally ran when audioMusings was in print. Issue 3. 1998 I always welcome the opportunity to listen to speakers other than my. own. Usually, the experience confirms my wisdom in choosing Magneplanars. No matter the strengths of a particular speaker, I always return gratefully to... Read More »

For some time, I've desired to experience a true horn-loaded speaker. But it wasn't until Volti Audio a.k.a, Greg Roberts, introduced the Rival that I considered requesting a review. I had heard Mr. Roberts' beautiful horn speakers several times, and they had always impressed me. But it was this smaller footprint Rival hybrid horn speaker... Read More »

Part 1 - The Review You know, it's not every day you get the opportunity to review something as legendary as the ESS speaker. It reminded me of my journey with Jantzen speakers long ago, it can be a tad intimidating as there is just so much rich history about the brand that you want... Read More »

In a discussion with Managing Editor Dave Clark in regards to what may be slated for review, it was noted that my loudspeakers may prove difficult for the readership to connect with since I design, build, test, and measure my own. Crossover design is a particular fascination of mine. Dave then challenged me to write... Read More »

I don't trust loudspeaker reviews. OK, you do realize you can't trust what you read in the paper, see in an advertisement, watch on cable news, hear on talk radio, or click on Facebook? Or anything on the Internet at all? Unless, a priori, you agree with the content, the trolls, or the known bias?... Read More »

I have a fairly long history with Audioengine loudspeakers and products; in my book, they're some of the most well-designed, well-constructed, and best-sounding powered speakers and ancillary products on the market. The level of technology employed in their designs approaches the current state-of-the-art, especially when you consider the ridiculously low MSRPs of many of Audioengine's... Read More »

Click over to Tekton Design's website and one could infer that I have quit my job, given away all possessions, and joined the church of Tekton in Utah. Of course, I did none of the aforementioned but, with its 99dB of sensitivity, Tekton Design's towering Double Impacts revealed an alternate path to aural enlightenment for... Read More »

"Get your station at the touch of a finger!" shouts the vintage ad for General Electric radios. "Touch tuning - Does away with tedious dialing!"  Now, that's an innovation one can hang a fine felt Cavanaugh fedora on. True, the pushbutton worked better in a VW bug than in the home, but you get the... Read More »

Founded in 2013, Alta Audio is the creation of long-time industry presence Michael Levy. Alta's first speaker, the Celesta FRM-2, came about as a result of encouragement from his good friend and client, reviewer Martin Appel. With the support from those he respected, Michael was convinced he could develop a great line of speakers that... Read More »

German loudspeaker manufacturer Audio Physic has a long and storied history of innovation. From the employment of side-mounted woofers and narrow baffles featured throughout its loudspeaker lines, to coaxial, string-suspended midrange / tweeter drivers utilized in the legacy Kronos and Caldera II models, and even to the promotion of radical nearfield-based placement recommendations, Audio Physic... Read More »

I told a knowledgeable audio friend that I was writing about Q Acoustics speakers, and he didn't know the brand, so he looked it up. He saw online that the 3050 floorstanders I was to review cost $700. "This is bargain-basement stuff," he said. "Why is Positive Feedback getting you to review them?" Why do... Read More »

At the last Rocky Mountain Audio Fest, a conversation took place between Chris Morris of Bluebird Music (Spendor's North American distributor, based in Canada) and PF's Dave Clark regarding Spendor's newest and most affordable line of loudspeakers. The A2 and A4 Models, priced at $2395 and $3195 USD, would offer Spendor's renowned sound at a... Read More »

This article, as reviewed by Francisco Madrid, Victor Chavira, and Larry Cox, originally ran when audioMusings was in print. Issue 13, 2001 This is going to be the easiest review I've ever written. Simply stated, the ATC system is the best sound I've experienced in my home. (But then, this is the first time I've had $15,000 dollars... Read More »

This article will be a departure from my normal format for reviewing audio components. The Tekton Design Double Impact speakers came to me by way of Steve Lefkowicz's personal pair. Steve and Rosina put the word out that they needed space in their living room to accommodate the holidays. Since we are only separated by... Read More »

One of the things I have learned to expect and appreciate in my search for high-value, lower-cost equipment is that as the price goes down the differences between gear increase, and the need to understand your biases and preferences becomes more important as you will have to accept certain compromises. As I have listened to... Read More »

I first heard the Vanatoo Transparent Zero (T0) speakers at the Los Angeles Audio Show last year and was immediately smitten. The sound quality I was hearing from speakers—available at an introductory price of $299 (now $359)—had me scratching my head wondering how so much could cost so little. Add to that 2 x 48... Read More »

Linn did it. Meridian has also done it. So have Naim, Avantgarde, Burmester, Gryphon, and a host of other brands, mostly hailing back to great European heritage and lineage. Naturally, one may ponder the who, the what, the it may refer to, and you would of course be right in that quest. Here, this question... Read More »

Alta Audio started for what I think was a great reason. Someone asked. This is the story of a long-time audio-industry person and speaker designer deciding to leave the field, and then a reviewer friend saying, "Hey I want to be able to own current versions of your wonderful speakers—don't stop making them!" I like... Read More »

The missing tweeter I've had the same pair of YG Anat speakers going on seven years. That's the longest I've owned any reference component by far. And still the Anats' give no cause to go out looking. They do everything well. If I notice a performance shortfall, it won't be the speakers I'm looking at.... Read More »