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This article by Steve Lefkowicz originally ran in Positive Feedback's ISSUE 60 March/April 2012, so while we call this section "New Old Stock - Articles from Our Days in Print" you are also going to see some articles from our early days of going online.  This might be a little longer than normal introduction. Those... Read More »

Gershwin, Rhapsody in Blue*; An American in Paris; Cuban Overture. Ivan Davis, piano*; Cleveland Orchestra/Lorin Maazel.  Copland, Appalachian Spring; Fanfare for the Common Man. Los Angeles Philharmonic/Zubin Mehta. London Jubilee  417 716-2.  TT: 71.17 For me, as a professional musician and a professional listener, life doesn't always allow much time for repeat listening. But I find it instructive... Read More »

Over the last two years, I have been on a determined mission to find a standalone phono stage for my system. I have been experimenting with both solid state and tube phono stages at several different price points. I have posted a few reviews, but not for everything that has entered my listening room. The... Read More »

Fifteen or more years ago I purchased a John Curl/Jack Bybee Signature Pro power conditioner, and still use it to this day. The Signature Pro used two power cords, each one connected to a bank of four outlets, one bank labeled Digital and the other Analog. Each bank utilized three Bybee Quantum Purifiers. You may... Read More »

With some of the best sonics you will ever experience, I'd like to introduce you to six recently released Pure DSD256 recordings from Eudora Records, Hunnia Records, and Yarlung Records. All of these albums are originally recorded directly to DSD256 and not to analog tape and then transferred to DSD. If you value the ultimate... Read More »

Rhino Entertainment continues the superb Joni Mitchell Archives Series with their latest installment, The Asylum Albums (1976-1980), which presents newly remastered versions of Joni Mitchell's final four albums for David Geffen's Asylum Records. Including the studio recordings Hejira (1976), the double album Don Juan's Reckless Daughter (1977), and Mingus (1979), along with Joni's double live... Read More »

Ron Resnick shows off his pride and joy, The Clarisys Studio Plus Speakers. As I was snaking my car up the ribbon of road leading high up in the Beverly Hills, I thought about my history with ribbon speakers. I had been invited by Ron Resnick to experience the listening room which comprises his new... Read More »

To quote an old colloquialism, "I haven't been to an audio show in a minute." I have stayed away from them for various reasons the main one being Covid-19. But time marches on, and the lure of high-end audio is well… very alluring. I finally stuck my toe back in the water for the THE... Read More »

Of all the elements that make up a high-end audio system, few are embroiled in the kind of controversy that surrounds cables. By and large, audiophiles seem to align with one of three primary belief systems when it comes to the impact of cabling on a system's sonic signature: those who profess that wire, generally... Read More »

Audio Group Denmark wants to tap into new customer groups with its new Axxess brand. The three all-in-one devices labelled Forté are a clear sign of this ambition and benefit from the expensive components of the Aavik and Ansuz brands

Or, why recordings don't always sound the same. We listen to music in various conditions, sometimes loud, sometimes quietly. However, in order to hear what is really there, we have to take into account, how it was mixed and mastered. I don't know if you pay attention to the fact that a given album sounds... Read More »

This interview originally ran in 2916, but deserves another read. Note: Robert Schryer left PF to write for Stereophile. DeVore Fidelity: Why Getting the Best Sound is all About Balance, or: "C'mon, John. Just once for the camera—Cheeeeese!"   "I began obsessing about hi-fi more than 40 years ago. I also love station-wagons with manual... Read More »