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I first heard the now-acclaimed Parasound Halo JC1 amplifier during the January 2002 CES, though this soon-to-be-acclaimed amplifier was not officially available for purchase until March of 2003. But on that January day, the late Bob Crump had used four pre-production JC1s, a soon-to-be-acknowledged overachieving amplifier from renowned electronics designer John Curl, to drive a... Read More »

My first encounter of the Hyper Sonic X4 cartridge kind occurred in the VPI room at Capital Audiofest 2023. The next year, Laurence Borden, proprietor of Distinctive Stereo in NJ, also turned to the Hyper Sonic X4 to anchor his vinyl playback setup at Capital AudioFest 2024. Both times I left the show incredibly impressed... Read More »

This new release in the ongoing series of outstanding organ recordings from APSoon Recordings is their best yet. If you love great organ recordings, just get this now! It will blow you away. Aare-Paul Lattik, Live at Riga Cathedral. APSoon Records 2025 (Pure DSD256) Edit Master Sourced HERE This is the most recent release of... Read More »

Here is an audiophile's dream—an exploration of superb performances remastered in Pure DSD from the original DSD tracking channels. Tom Peeters, founder and recording engineer of Cobra Records has gone into his archives to find his original DSD64 tracking channels from albums released between 2007-2014 and remastered selected tracks in Pure DSD256 for this Producer's... Read More »

Michael Fremer and Lee Scoggins, a moment. Los Angeles, CA, 2017. (Photograph and image processing by David W. Robinson) In my recent experience, I have discovered that lowering noise is one of the most beneficial things you can do for better music playback. It's a true three-for-one deal for audiophiles. Bass, midrange, and highs all... Read More »

Led Zeppelin's Physical Graffiti (1975, Swan Song Records) is undeniably the band's magnum opus, and quite possibly the most comprehensive statement of who Led Zeppelin were and how they evolved into the world's greatest rock ‘n' roll band. Fans obviously agreed by voting with their wallets, taking the album to 17x platinum in the US... Read More »

The Pass Labs HPA-1c (photo by Juan C. Ayllon) If you don't already own one, you've probably seen them on the equipment racks of high profile audio reviewers: rugged and utilitarian, a milled metal block with an oversized volume knob that sounds sumptuous. For the past two years, I've been enjoying the lush delivery of... Read More »

For many modern music lovers, listening to songs from FM-radio stations in the car or streamed over computers at home from websites like You Tube is how they (er… we) discover new music. If you're lucky enough to have a Sirius-XM radio subscription or can afford to stream high-resolution digital music from various online providers,... Read More »

In mid-1989, guitarist, keyboardist, and vocalist Bernard Sumner of New Order approached his bandmates with the idea of adding programmed synths to their new music. Neither Peter Hook, Stephen Morris, or Gillian Gilbert were particularly receptive to the idea, as they were all deeply involved in ongoing side projects at the time. Undeterred by their... Read More »

Listening Impressions There's an elephant in the room, and I mean that almost literally. Certain frequencies, the lowest ones, simply aren't reproduced faithfully by most loudspeakers. They'll wobble along, giving the impression of bass, but when you sit in the chair you're left wondering: can you feel it? Subterranean frequencies are not just meant to... Read More »

Today's issue is an eclectic mix, and I think delightfully so. From an outstanding new release by The Hague String Trio of modern music composed in the 1920s, to even more challenging modern music of the past 30 years with the Rudersdal Chamber Players, to music of the 18th Century on clavichord (of all things),... Read More »

Sliding the PS Audio PowerPlant 20 into my system wasn't like unboxing a new amplifier or speaker. It doesn't announce itself with power meters or driver cones. Instead, it quietly rebuilds the very electricity your system relies on. Yet, from the first few tracks, it was obvious this wasn't a subtle change. For my particular... Read More »

After living with a handful of Class D amps over the past few years, it's been a real joy to get back into a serious Class AB amplifier. The Pass Labs X350.8 has reminded me why these big, heavy beasts are still so special. There's simply more weight, more authority, more current on tap, and... Read More »

When the Support System One (SS-1) from Node Audio came to my attention, I was smitten by its elegant looks, intrigued by its intelligent design, and impressed by its very sensible list of materials. Welcome to SS-1, a modular component support eco-system that isolates equipment from its support, drains equipment vibrations, and focusses stray magnetic... Read More »

I often have a hard time suppressing my level of excitement when I see upcoming new releases from Mobile Fidelity Sound Lab, but that pegged off the scale when I saw they were reissuing the debut album from prog rock legends Emerson, Lake & Palmer (ELP). The excitement meter reading nearly doubled when I came... Read More »

Mobile Fidelity Sound Lab continues their survey of Miles Davis' catalog of albums with an Original Master Recording reissue of his 1975 live album Agharta, now available as a 33 rpm, 180 gram 2-LP set. Easily the most dissonant album of Miles' entire catalog, Agharta's dense, sprawling compositions challenged listeners and divided fans—even those who'd... Read More »

Mobile Fidelity Sound Lab honors the 50th anniversary of Heart's Dreamboat Annie with a deluxe 45 rpm, 180 gram LP reissue of the band's classic debut. Initially only available in their native Canada, Dreamboat Annie at first failed to gain much traction—at least until the album's second single "Magic Man" hit the Montreal airwaves. It... Read More »

We have a virtual cornucopia of excellence from NativeDSD for this edition of Recent Finds. Following the release of Eudora's outstanding Pure DSD256 album of Mozart's piano music for four hands, Review HERE, now we have a superb Mozart Requiem from Manfred Honeck and the Pittsburgh Orchestra, delightful Handel and Bach secular oratorios from Florilegium... Read More »

  What happened to all of the luxury Japanese turntables? You know the ones I mean: those tall, chunky, rosewood-veneered JVCs and Denons and even Hitachis, with their fully-automatic feature sets, dead-on direct drive propulsion and wildly over-engineered parts like servo-damped tonearms? While other companies like Rega were trying to simplify turntable design, these folks... Read More »