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It's refreshing not to have to cringe at a "new" singer's technical flaws, as I find myself doing more and more. Klaus Florian Vogt, in a program is mostly drawn from the Heldentenor (heroic tenor) repertoire, offers a clear, compact tone, a reliable legato, and some interpretive smarts. Vogt's actual instrument sounds, as recorded, more... Read More »

This week, John Marks touches on one of the truly great popular singers of the 20th Century, Frank Sinatra. Where Are You? comes to us from the later 1950s, and shows Sinatra maturing in his mastery. It also shows us just how great the recording arts had already progressed by this time. With his "Vault Treasures"... Read More »

For this week's "New Music" selection, John Marks shares with us Sergey Schepkin's Bach:  The Six Partitas. I agree completely with John when he writes "Familiarity with at least some of Bach's masterworks is a matter of core Cultural Literacy..." Amen! Think of it as a matter of "cultural critical mass"...the truly worthy things that you... Read More »

"Carmine said one boy, here are two!" – Larry London, The Freshman I'm not sure why I started hearing the late Maximillian Schell's heavily accented voice in my head the first time I listened to Jane Ira Bloom's new CD, Early Americans. I suspect it had something to do with reviewing Todd Hunter's Eat, Drink,... Read More »

For John Marks' initial cross-publication to Positive Feedback of his Tuesday offerings on great recordings from The Tannhauser Gate (http://www.thetannhausergate.com), we offer the first of his columns:  Clifford Brown with Strings. As usual, John enriches our lives with recorded gems that we should all be aware of...and this time is no exception. Read on! Dr. David W. Robinson... Read More »

Delmoni & Martorella: Chopin/Milstein One of the categories of music reviewing and commentary that John Marks brings to Positive Feedback from The Tannhauser Gate is that of music videos. With the global explosion of online videos driven by YouTube, music lovers and audiophiles have been given a great opportunity to see as well as hear great performances, and... Read More »

John Marks' first cross-published music review from The Tannhauser Gate (http://www.thetannhausergate.com) is of a composer near and dear to my heart for many years now:  Ottorino Respighi. I have many of his recordings various formats, including LP, CD, and SACD, but am always pleased to find a new recording that renews my delight with his creative... Read More »

I absolutely adore Ingvild Koksvik. A small part of that is because she's this beautiful and almost ethereal creature wandering through vast Norwegian landscapes and singing in this clear and goosebump-inducing voice that is sounds like it's from a dream, one of your favorite dreams, the kind that make you regret you eventually woke up—and... Read More »

Fiona Joy - Into The Mist I have been spending some time with several new titles from Cookie Marenco's Blue Coast Records, all in Quad DSD. One of them was by an artist that I've developed a great deal of affection for, Fiona Joy. The album is entitled Into the Mist, and for me, that... Read More »

Tchaikovsky, Symphonies 1, 2, and 5. Royal Liverpool Philharmonic Orchestra. Vasily Petrenko. Onyx 4150 (2 CD's) Vasily Petrenko found the poetry in Shostakovich—what will he find in Tchaikovsky? Symphonies Nos. 1 and 2 are my favorite of the six and we seldom hear them: Winter Dreams and the Little Russian. People of my generation know... Read More »

Like most audiophiles who are into jazz, I tend to reach way back into history for my sonic fixes. I'm talking late '50s and early '60s, of course, and maybe a few Three Blind Mice titles from the mid-'70s just to mix things up. The idea of choosing a modern jazz piece as a reference,... Read More »

When listening to this album, I found it difficult to do so with a strict, examining state of mind. I wanted to capture all of the technicalities and mechanical bits within each song, so that I could later articulate what those ingredients did to either help or hurt the album. I wanted to listen to... Read More »

One of the advantages of writing about LPs and turntables for the last 18 years is that sometimes records just show up in my mailbox without warning or reasonable explanation. I know nothing about Chicago's Milk Factory Productions, and even less about The 3.5.7 Ensemble, but my intuition tells me that the same intrepid individual... Read More »

Prokofiev, Scythian Suite & Symphony No. 3. Orchestra: Sao Paulo Symphony. Conductor: Marin Alsop. Recording: Naxos NBD0047 There certainly are significant differences in the music composed by Prokofiev compared to those famous Russian composers that preceded him. It is our good fortune to have his compositions available now. Yes, he turned out those compositions needed by performers in the... Read More »

Mozart, Sonatas for Violin and Piano, Alina Ibragimova, violin. Cédric Tiberghien, piano. 2 CD's. Hyperion CDA 68091. Most of us know when we're hearing the real Mozart and not a near miss, we know in our heads and elsewhere what is required of a genuine Mozart performance. Today we have the composer's Sonatas for Keyboard... Read More »

Schnittke, Penitential Psalms; Three Sacred Hymns. RIAS Kammerch0r, Hans Christian Rademann, conductor. Harmonia Mundi 902225. Russian Alfred Schnittke (1934-1998), as I've written many times before here, is one of those second generation modernists who makes you go to him and who generally makes you glad you did. His Penitential Psalms confront us with sternness until... Read More »

Anne Bisson: Blue Mind, Co-sponsored by Wuti Larnroongroj, Brilliance Music and Studios and Gary Koh, Genesis Advanced Technologies. 15-ips, 2-track, reel-to-reel tape. Originally produced and recorded by: Guy St. Orge. Recorded July 21-22, 2008, Reference Studio, St-Calixte, Quebec. Remastered by Bernie Grundman. http://www.annebisson.com/en/. Price: $600. It's rare that performers get to revisit and remaster their... Read More »

Kinsky, Copula Mundi. SPV Poland/Requiem Records 104 | 2015. Premiere: 1993. Re-edition: 2015. Medium: Compact Disc The Kinsky band, which was created in 1992, existed only for six years and recorded only one album, but, perhaps thanks to this, it has become the legend of underground rock music in Poland. Its music is most frequently described as a combination of... Read More »

Bruckner: Symphony No. 3 in D minor, "Wagner" (Nowak ed., 1877) Royal Concertgebouw Orchestra, Amsterdam/Nikolaus Harnoncourt Teldec 4509-98405-2. TT: 54.35 The "historical performance" movement that arose in the 1960s proved more popular, at first, among academics than among regular listeners; eventually, however, its notions of performing older scores without the stylistic accretions of later eras... Read More »