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Air Tight's Supreme and Opus Cartridges What's the Pecking Order? "That would make life very interesting, but wouldn't it be overkill?" I was in the middle of a Thales turntable review and had the TTT-Compact II table and Simplicity II tonearm on the floor mounted with my Air Tight PC-1s MC cartridge ($14,500, $9200, and... Read More »

The coincidences were uncanny. Exactly a year ago to the date we first visited Distinctive Stereo. Plus two weekends before that we had gone to Mezzrow, a small jazz club in the West Village, to hear clarinetist Ken Peplowski. Guess where we were and who we saw two weekends before this year? The outing was... Read More »

I was on the phone with Vladimir Lamm discussing delivery of his LL1.1 Signature Preamp when somehow we got onto the subject of foreign accents. MN: "I am intrigued by foreign languages. I like sounds. My office is like the United Nations, so I get the chance to be an equal-opportunity abuser." VL: "That is... Read More »

One Monday night at Carnegie Hall, we found ourselves in the second row orchestra, way over on the right, in front of and looking up at the double basses (our eyes were level with the stage). When you purchase discount tickets, you take what they give you and don't complain. Obviously, the sound was problematic.... Read More »

From time to time, an item is plucked from the mildewed bins of analog history by one of the reissue houses. Occasionally the dredging action strikes gold; most of the time it would have been best to leave the slumber undisturbed. A recently unearthed item is Once In Every Life featuring Johnny Hartman accompanied by... Read More »

One Sunday afternoon we were listening to Krzystof Penderecki's Clarinet Concerto (DUX 0559). This is difficult, contemporary music—difficult enough to turn many listeners off; enough to make your neighbors complain. At 2:20 into the first movement, the solo clarinet plays a series of grace note figures which never fails to take my breath away. It... Read More »

"I suppose there's no remote? Dual mono volume controls?" I was discussing the operation of his L2.1 Reference Preamp with Vladimir Lamm. VL: "Yes, that's right." MN: "Ah, determinedly 20th century." VL: "Correction: 22nd century." MN: "Huh? Don't you mean 21st?" VL: "No. Sometime at the beginning of the next century, they will realize the... Read More »

Empiricism vs. Theory What was my biggest discovery last year? Bass traps. I installed them in the left and right front corners behind the speakers, as recommended. Having done my homework, I knew what to expect: low-end response would be smoother and tighter, clarity would increase, and some dampening would occur. The treble also would... Read More »

Merrill Wettasinghe with his Merrill Audio Christine Preamplifier at Nack Labs When you think about it, the room is arguably your most important component. I am well aware of the sound of mine, a 12' W x 8' H x 32' L living room. I had a choice: setup on the long wall for soundstage width,... Read More »

Tempus Fugit but Some Things Stay the Same Three nearly identical, "old school," black chassis took up position on my rack. It would be a stretch to call them eye candy—some visitors chided the pro audio cosmetics—yet the effect is nearly the same. The Lamm LP1 Signature Phono Preamplifier is an imposing sight that proclaims... Read More »

One evening in the vacant space of my commute home, I contemplated phono cables. (Yes, too much free time on my hands.) Specifically, wouldn't the magnitude of difference in the output of a phono cartridge vs. that of an analog interconnect dictate a specialized design for the phono cable? (A medium output MC typically generates... Read More »

If you find yourself in the Big Apple, you are likely to encounter street musicians. Of course, their quality varies: some are quite good, others not quite ready, while some shouldn't be out in public. I guess it's like that for most of our endeavors. Welcome to the New York Audio Show 2016, held at... Read More »

Mola-Mola Kaluga circuit board Some of you may recall when Class D amplification began to appear in high-end journals. There were birthing pangs, to put it mildly. Granted it was quiet, linear, and powerful; on the other hand, it was often dry and brittle. The treble, in particular, was nasty. At the time, around 2006,... Read More »

Select members of the audio press were invited to GTT Audio for the YG Acoustics Sonja XV speaker press event. Over the course of a week, each of us got to experience a personal listening session. Lynn and I were scheduled for the afternoon of the first day; Dr. David Robinson, ye olde editor at... Read More »

It was a glorious day for a Hudson River crossing, with clear skies and endless visibility, the kind of day that photographers love. Lynn and I were off to visit Distinctive Stereo in northern New Jersey. We boarded the New York Waterway ferry at West 39th Street. Eight minutes later we docked at Port Imperial/Weehawken,... Read More »

You know how you can tell in 10 seconds if a component has it? Alas, it doesn't happen all that often—the good ones are few and far between. Just like the players in this industry—those who know real sound are few and far between. Most think it is synonymous with the Audiophile Report Card, the... Read More »

An importer/distributor I know has taken to calling me "the stalwart reviewer." At first we both laughed, although I wasn't sure what he meant. On reflection, I decided I should be flattered. One of the benefits of longevity is you get the long view, the evolutionary perspective, which can be especially satisfying when a brand's... Read More »

"That is a…a…a power cord?" It's a guilty pleasure witnessing visitors' disbelief when I show them a Stage III Concepts cable. Even seasoned audiophiles are predictably wide-eyed. The uncommon (unnatural?) girth and nonpareil build quality of the cables make other brands appear malnourished. And then there's the top-of-the-line Leviathan Power Cord, the "Sea Monster," surely... Read More »

There are times when High End audio puts me in mind of the ancient Greek myth of Sisyphus. Condemned to an eternity of boulder rolling, he slowly pushed it uphill. Then, when the pinnacle was in sight, he watched helplessly, as it rolled back down and the cycle would begin anew. The ending is foretold:... Read More »