On the other hand, many professionals in
the recording industry agree that DSD recordings are best decoded with a
single-bit DAC and PCM recordings are best decoded with a multi-bit
DAC.
Considering the majority of recordings available today are
only available in a PCM format, and considering that nearly all
recordings released in DSD format were edited, mixed, and mastered in
PCM format, it was an easy decision for me to focus exclusively on
multi-bit non-oversampling DAC design.
For more info on digital
formats, digital resolution, and modern recording technology, I've
written two blogs that may interest PFO readers:
http://www.mojo-audio.com/blog/dsd-vs-pcm-myth-vs-truth/
http://www.mojo-audio.com/blog/the-24bit-delusion/
Of
course if you want even more detailed information on these topics, may I
suggest reading the many references I used. Most of my references are
papers written by well respected recording engineers and companies that
make equipment for recording studios.
Enjoy!
]]>I have been listening to PCM since it first came out and my systems, houses, and rooms have changed over the years. I have owned different preamps, amps, and cables over the years and have had all tube systems and all SS systems. The sound of PCM remained the same regardless of system components or different rooms.
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