Comments on: Singing Lightfoot in Lincolnshire https://positive-feedback.com/audio-discourse/singing-lightfoot-in-lincolnshire/ A Creative Forum for the Audio Arts Wed, 22 May 2019 22:03:57 +0000 hourly 1 https://wordpress.org/?v=6.6.2 By: Johnny Puddles https://positive-feedback.com/audio-discourse/singing-lightfoot-in-lincolnshire/#comment-2664 Thu, 31 Jan 2019 03:26:00 +0000 http://positive-feedback.com/?p=33395#comment-2664 In reply to Johnny Puddles.

PS: I just now reread and now see that I was perhaps inadequately precise: when I said I had not checked out post-Endless Wire albums, I did not mean to state that I was unfamiliar with them. I meant that I had not looked in the credits to find out if they were recorded or mastered with the Aphex Aural Exciter box.

That because I had been aware that some late-1970s/early 1980s James Taylor albums and Linda Ronstadt albums had been Aurally Excited. A process that involved adding purportedly benign distortion.

I doubt that was the case, because the one digitally recorded Lightfoot LP I bought, I recall as being sonically threadbare, both in comparison to If You Could Read My Mind, and to Endless Wire.

Ciao,

jm

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By: Johnny Puddles https://positive-feedback.com/audio-discourse/singing-lightfoot-in-lincolnshire/#comment-2663 Thu, 31 Jan 2019 01:25:00 +0000 http://positive-feedback.com/?p=33395#comment-2663 In reply to BJ R.

Thanks for reading and thanks for writing in.

I bought at least Dream Street Rose and Shadows on LP when they first came out. I thought that the title track of Dream Street Rose was not very good; sorry. A three-chord chorus with the lyrics being the title... for me, it was not a patch on Affair on 8th Avenue, which, while predating If You Could Read My Mind, was I think on the same level. It's really a monphonic Madrigal, if that makes sense to anyone.

I thought that the title track of the album Shadows was a much better effort than the song Dream Street Rose--it had the same literary depth and resonance of some of Lightfoot's best work. The rest of the album, however, I also think showed signs of creative exhaustion. Not to the flat-out awful nadir of Canary Yellow Canoe:

In my canary yellow canoe - my yellow canoe
I want to go tripping in my canary yellow canoe
The Eastmain, Coppermine, Back River too
In my canary yellow canoe

In my canary yellow canoe - yellow canoe
I want to run rivers in my canary yellow canoe
The Desmoines River, Rupert River, George River too
In my canary yellow canoe

In my canary yellow canoe - mellow yellow canoe
I want to go tripping in my canary yellow canoe
Chebugema, Peace River, Resolute too
In my canary yellow canoe

In my canary yellow canoe - my elephant too
I want to go tripping in my canary yellow canoe
Churchill, Yellowknife, Ross River too
In my canary yellow canoe

# # #

But the rest of the album Shadows, while nowhere near as horrible, still contained nothing that should get a new artist noticed. IMHO.

Perhaps because at some point I realized that when Lightfoot made the decision not to stop writing songs before he hit rock bottom with Canary Yellow Canoe, he would end up at Canary Yellow Canoe, I searched back to where the inflection point was, and rightly or wrongly, I decided that Endless Wire (the last track of which is, after all, a remake of one of his earliest United Artists songs) was it.

You are right and I agree that Shadows is a great song; but I think we will have to agree to disagree whether Shadows is a great album.

Thanks again for reading and writing; and I think that while Gordon Lightfoot is lucky to have passionate advocates such as yourself, he certainly has earned them and deserves them

ATB,

John Marks

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By: BJ R https://positive-feedback.com/audio-discourse/singing-lightfoot-in-lincolnshire/#comment-2659 Tue, 29 Jan 2019 21:58:00 +0000 http://positive-feedback.com/?p=33395#comment-2659 Interesting article, with a unique perspective. But when you said you have not checked out any Lightfoot albums after 'Endless Wire' because you believe Gord's singing and songwriting abilities dropped off dramatically after that point, you are in dire need of revisiting your premature presumption. His 1982 album entitled 'Shadows' was one of his strongest productions ever, being in equal parts both mature and melodic in scope. 'Dream Street Rose' from 1980 and Shadows' bookend 'Salute' from 1983 are also worthy contenders in the Lightfoot production pantheon. None of these should be overlooked.

But please, do yourself a favor and pick up 'Shadows' if nothing else. I believe you will see there was life still kicking in Gordon's music after the 70's - and his hits - came to a close.

BJR in SoCal

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